How is it possible for history to have sidelined seven full decades of early African American organizing? In this talk, attendees will learn about an ongoing campaign for Black rights which served as the prequel to the NAACP, Civil Rights, and Black Lives Matter movements. From 1830 through the beginning of the new century, free, fugitive, and freed Black Americans held multi-day “Colored Conventions” all across North America. African American leaders not only came together to demand Black freedom, but to advocate for all it entails then as now: educational equity, labor justice, voting, jury, and political rights, as well as freedom from state-sanctioned violence. Why didn’t we know?
What would it mean to think about the fifteen days between Juneteenth and July 4th as a bridge between the democratic aspirations that the 4th articulates and the embodied freedom that Juneteenth has come to represent for Black Americans? This talk revisits the history of Juneteenth before turning to discussions raised by Black artists and poets about what is represented—and what is left out—in the ways we’ve come to understand the United States’ founding dates and documents.
Today, David Drake’s ceramic vessels are found in the most renowned museums across the United States. Often incised with original poetry and signed “Dave,” his pots are counted among the largest and most accomplished to be made in the nineteenth century. In 2021, one sold for $1.5 million. Yet, this artist spent almost his entire life enslaved in South Carolina; his friends and family members could be sold off as easily as the wares he was known for even then. In addition to being famous for his pots, Drake is perhaps the only Black writer, free or enslaved, to create surviving literature that never appeared in print. His page was clay. This talk introduces audiences to David Drake’s pottery and poetry and shares how he has inspired a generation of visual artists and poets who came after him.
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